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A Matter of Life and Death
A Matter of Life and Death

Arena Theatre presents adapted for stage by Jonathan Hyde and Jonathan Rea's

A Matter of Life and Death

Directed by Rachael Cheeseman with permission from

A British wartime aviator who cheats death must argue for his life in a celestial court




  • Performance Dates
  • Thu, 03 Nov 2016 19:45 at Bournemouth Little Theatre
  • Fri, 04 Nov 2016 19:45 at Bournemouth Little Theatre
  • Sat, 05 Nov 2016 19:45 at Bournemouth Little Theatre
  • Sat, 12 Nov 2016 19:30 at The Mowlem Theatre, Swanage
  • Sat, 19 Nov 2016 19:30 at Hanger Farm Arts Centre, Totton
Blog Updates
Terri Jowett - Auditions      18/04/2016

AUDITION NOTICE
A Matter of Life and Death
Characters:
Peter - clipped British accent, 30-40
June - Boston, Mass accent, 20-35
Frank - clipped British, 40+
Abraham Farlan - Boston, Mass,40+
Conductor - French accent, 20+
Bob - clipped British, 40+
Judge / Dr McKeown - 40+
Mrs Tucker / Juror - 40+
Angel / Air Force girl / Juror -
Chief Registrar / Air Force girl / Juror -
Soldier / Juror -
Props / Extras -
Air Force girls and Soldier must sing.
All ages are negotiable. However, accents must be as stated.
This is not the Kneehigh version, but is based directly on the film.
Audition is 5 May, 7.30pm, at Pokesdown Primary School, Livingstone Road, BH5 2AS
There is a readthrough on 3 May - same time, same place for those who may be interested
Reviews
Chaz Davenport

I’ve got superlatives aplenty running around my head as I type. What follows may seem a little gushy, but I had a good time. Performances were great, the staging minimalistic but exciting and the pace was sharp and snappy, so gush I may just do.
This play is a stage adaptation of the 1946 film, which starred David Niven as Peter Carter. It is a tale of two worlds: the one we know and the one we may well discover – all in good time. If you don’t know the film, Peter is meant to be in the other world but gets missed when he is supposed to have died and falls in love instead. The other world is a bit perturbed by this as it puts the accounting out of kilter … and as far as plot goes, that’s pretty much all you’re getting from me.
It opens as the film does, with the ‘This is the Universe’ speech, which is inventively staged and an interesting spectacle with which to start the evening. Straight after that, the opening scene features the two main protagonists of the piece. Peter Carter is excellently portrayed by Daniel Withey. He puts one in mind of David Niven as things kick off, which is no bad thing at all because, for the opening scene in the cockpit, the dialogue pretty much demands that one should go all ‘Niveny’. But, as the play progresses, he stamps his own take on the part very nicely.
As Peter’s love interest, June, Kim Fletcher is exceptional and carries the accent off beautifully. She is an accomplished actor and it really shows here. In the ‘other’ world, we have the Registrar, a superb Rachael De Courcey Beamish who also pops into ‘our’ world, nicely filling the shoes of Mrs Tucker. Also in the other world is Conductor 71, a late French aristocrat from the 18th-century revolution. Here, James Cowan is a treat to watch throughout the piece.
Assistance for Peter in this world is provided by Dr Frank Reeves. Ryan Gregg never fails to impress and this is no exception. There is a period of the play where he and Kim Fletcher are required to stay motionless for quite some time and, whilst trying to keep my eye on the action around them, I found it mesmerising to watch as they kept position so very tightly. It is no mean feat to be frozen in time on stage, but they totally aced it.
Assistance for Peter in this world is provided by Dr Frank Reeves. Ryan Gregg never fails to impress and this is no exception. There is a period of the play where he and Kim Fletcher are required to stay motionless for quite some time and, whilst trying to keep my eye on the action around them, I found it mesmerising to watch as they kept position so very tightly. It is no mean feat to be frozen in time on stage, but they totally aced it.
The pace is crackling, even with the many (necessary) scene changes and for that the director, Rachael Cheeseman, deserves high praise. Finally, I must give a big shout out to Agnes Stevens who hand-painted the scenery flats. I had to ask about them as I felt certain they were hired or something, but, no – hand-painted and stunning.
Superlatives in large number, as promised, but deserving. This is an entertaining evening which I encourage you to check out.
Future performances: 4 and 5 November at Bournemouth Little Theatre, 12 November at the Mowlem in Swanage and Saturday 19 November at the Hanger Farm Arts Centre in Totton, all at 7.45
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